![]() In 1964, El Khoury, whom Huguette was very close to, passed away, leading her to create her earliest painting, Soleil Rouge (Red Sun), formerly titled Cancer. Along with other creatives from the Arab world, Caland challenged conservative attitudes toward women’s standing in society, becoming a liberation figure in her own right. She expressed a yearning for independence at an early age, despite the pressures of being in the public eye. This period is considered the defining chapter in understanding Caland’s artistic identity and her vibrant oeuvre.Ĭaland’s father, Bechara El Khoury, was the first elected Lebanese president following the end of the French mandate in 1943. Her early works from the 1960s highlight the foundations she would build on later in her six-decade career. ![]() From her line technique to independent fashion choices and her quest for personal autonomy, understanding the core of Huguette Caland’s (née El Khoury) practice starts with a reflection on her beginnings.īorn in 1931 Beirut, Caland embarked upon her journey of extensive art production in the Lebanese capital, later establishing her first studio in the town of Kaslik.
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